Every artist has their method of making things, but one fact we share in common is that the art we make is “a combination of energies and interrelationships” (art critic, Lance Esplund). Personally, I begin with a strong feeling which evolves into an idea as I search for relationships. The artwork gradually combines its “energies and interrelationships” into a meaningful form. Then I see that the whole process has been a dance with destiny.
“The soul that sees beauty may sometimes walk alone.” Goethe
“Every act of creation is first of all an act of destruction.”
As I find unique textures, plaques, 3D objects, or other items in my travels, I take a rubbing.
Utility covers and manholes—such as these from San Sebastian, Spain, and Mexico—are something something that highlights design elements in everyday objects.
Panoramic view of my studio during one of my creative maelstroms.
I layout a series of color schemes and textures created by rubbings and papers during the process of exploring possibilities.
Dressforms are useful for determining dimensions and impact.
Some kimonos are keepers; some are not. I finally disassembled this one to recycle the more successful parts. Destruction as well as de-construction play roles in the creative process.
